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When I began working on my SX-70 constructions in the early seventies collage was one of my main interests. Over a decade before Photoshop was born I was always looking for ways to combine images and images with paint. In returning to these techniques with the new Impossible films I cannot turn back the clock […]
Continuing my exploration of the manipulative qualities of PX-680 Color Shade film, we look at adding paint. When this image emerged from the SX-70 base of my Daylab, I stripped the negative away from the positive in the first several minutes, once the image had appeared. Later, when it was dry I rinsed off the […]
It has now been 31 years since I last worked on my SX-70 Constructions. The advent of Time Zero in 1979 put an end to the kind of emulsion stripping and emulsion transfers that I could accomplish with the “Q” film or what TZ’s predecessor was known inside Polaroid. I returned to using TZ in […]
Continuing my posts stemming from my Lightroom for Digital Photography workshop at the Palm Beach Photographic Centre, I present some additional images from the Wakodahatchee Wetlands. This group was a real experiment. I have long wanted the LensBaby Composer since it came out and added the Super Wide Angle attachment the day before we went […]
The creative techniques available from Fuji instant peel apart film remain unique in the rapidly changing world of photographic practice. Image transfer offers a range of softening effects and a subdued color palette, giving the image an antique and timeless aspect. Emulsion lifts are very different, literally floating the dyes off their original paper support […]
